Thursday, 28 November 2013

Modern cinema doesn't work with my eyes

A few years ago I went to see Toy Story 3 in 3D, and wrote that I was pretty sure I couldn't see the 3D effect. Now I've seen Gravity in 3D, and I'm definitely sure I can't see the 3D effect. Maybe the fact that it was three years between these films shows that I might not be that interested in 3D. But I saw many other films in that time. Nice, enjoyable 2D films that displayed easily visible images. The problem is, as I have already said twice, I can't see the 3D effect. I don't really know what it is, but it sounds impressive when other people describe it. Things fly out of the screen and hover right in front of you, like you can touch them. But around 10% of people can't see this, and it disagrees with some people so much that it makes their head hurt. It's not so dramatic for me. When I put the 3D glasses on they only have the underwhelming effect of turning a blurry mess into a normal looking film, which is useful, but I didn't need an extra pair of glasses for that before. It looks like the film is on the screen, but a bit darker. There definitely isn't anything getting closer to me. There is nothing hovering, and I don't feel like I can touch it.

I have pretty normal eyes. They are short-sighted, or long-sighted (I can't remember), so I wear glasses. I can see real things that are in front of me, and can see when things are getting closer, because they are really there. But there is some technology in these 3D films that doesn't work with my eyes. This isn't really a problem, except that it has ruined a good film for me. I'm sure Gravity is good, because I was able to see most of it. The effects were very impressive, even when I'm wearing what are now just effectively rubbish sunglasses. But I didn't enjoy it. The main point of Gravity is the visual spectacle, and I couldn't see the visual spectacle, at least not the good bits everyone else was seeing. At no point was I immersed in the film, because I was always wondering what I was missing. I wanted to know what everyone else could see. This has never happened before. I've seen lots of films. I think I'm quite good at watching films. This was the first time I felt inadequate.

It's like being on a rollercoaster, but my car takes a slightly different track that doesn't have any loops or drops, and just ambles along. I can see everyone else speeding around me, but I have to just fold my arms and feel annoyed. That's what Gravity made me feel - annoyed. It's not intense, or gripping, or a brilliant showcase for the wonder and awe of cinema - just annoying. I don't think they were going for that. And so the obvious solution is to not watch 3D films. I can do that, because they're not very important and very easy to avoid for years, but I just wonder what I'm missing. I want to know what these floating things look like. I want to know if it would really seem like something was hurtling out of the screen towards me. And I want to know what it's like to watch Gravity.

Tuesday, 12 November 2013

Some thoughts on some television

The advantage of having a blog is that I can write down random, half-formed thoughts and keep them forever, as if they were important. So here's some words on two things that have no connection other than being here on the same page.

Boardwalk Empire
This show is still a mystery to me. It's on its fourth season now, and it's pretty good, but I completely forget about it when it's not on. Completely, like I hadn't been watching it for thirty hours. And then there's new episodes, and I'll watch them and enjoy them and be reminded of all these men in hats. I still don't know some of their names, but a lot of them want to murder each other. Often in very stylish, violent ways. The problem is, I wouldn't mind if I never saw another episode, even though it's impressive. I don't know what it's doing wrong. It has some of the best performances on television (Michael Shannon, in particular, always looks like he's about to burst) and some of the most intelligent, thoughtful writing. Maybe I'd enjoy it more if it was focused on one tight group of characters. Having a vast and separate cast can work brilliantly, like in The Wire or Game of Thrones, but here it might be too big for its own good. I want more of Richard's story, and Nucky's relationship with his brother and Margaret, not more conversations with gangsters I'm not sure I recognise, who mention other gangsters I don't think I know. I will watch every episode and enjoy them, I just wonder if, outside of a few brilliant characters, Boardwalk Empire will be remembered as one of the greats.
  
The Newsroom
I liked the first season of The Newsroom. I wrote a long defence of it, which usually happens when I'm annoyed that other people have different opinions to me. It was a show that had problems, but I thought it would be better in the second season, when it could really settle in. Now, after nine new episodes, there's good news and bad news. The good news is that the second season is a huge improvement over the first, and one of the most enjoyable pieces of television this year. The bad news is that I have to praise it rather than rant about it, which is less fun for me, and makes shorter blog posts. So this time there was a proper running storyline, less focus on real news, and no silly love stories. We've spent time with these people now, and they're still a family. Don and Sloan, who weren't much of anything before, become two of the most likable characters. And that's it, the whole thing is likable. It would be easy, and boring, to over-analyse the politics of it, and miss how much fun it is to spend time in Sorkin's fantasy newsroom. There needs to be more.

Wednesday, 16 October 2013

The end of Dexter still bothers me

(Spoilers. For Dexter) After watching Dexter for eight seasons, I was expecting big things for the last few episodes. I wanted to see what they had been building towards the whole time. Would Dexter finally be revealed and be hunted by his friends? Would he lose his grip and descend into nasty madness, and still nobody would notice? Whatever it was, they'd been promising big things for years, and it would be worth the wait. Except, as it turned out, they didn't really have anything.

The problem is, I thought it was a different show. It's not adventurous. At least, it hasn't been for a long time. The writers were taking it season by season, making important things up as they went along. The decision they made, in the end, was to make Dexter nicer. So nice that it turned out he didn't have to kill anybody, even though he always told us he did. And an irrelevant villain appeared in the last few episodes. And everyone hung around cooking lovely dinners until Dexter could get on a plane. There were new characters, new developments, and other things that didn't matter at all, because all I wanted was the insane explosion of a season I'd been promised. It didn't happen, and then poor Debra, who had put up with a lot, died, and it was even sadder that by that point I didn't seem to mind. The last episode was strangely boring, being mainly focused on whether Dexter's girlfriend could catch a bus. If I was ever really promised something, I didn't get it.

And what would Dexter do? Would he get away with it? Would he be killed? No, he... did something irrelevant. It wouldn't have seemed so bad if he had ever mentioned lumberjacks, or said something about logs, or beards, but he didn't. It came out of nowhere. I understand that he wanted to live alone, but this isn't how television is meant to work. You can't introduce something random in the last minute. Eight seasons, I was watching this. Ninety-six episodes. Ninety-five hours, fifty-eight minutes, then lumberjack. He could have given us at a hint. He explained everything else to the ghost of his father inside his head, but not this. After all the murder and lies, the close escapes and near misses, the drama and the tragedy and the psychopaths, it finally comes to an end and then, lumberjack. I still don't understand.*

This was a good show, for at least the first four seasons. And the seventh. And even when it was bad it did a good job of pretending it wasn't. It's a shame, then, that I'll always remember that the end was nonsense.

* After reading this, it might not be the writer's fault.

Wednesday, 9 October 2013

Finding something good to read

Good books come from different places. A friend might recommend something to you. You might overhear something being mentioned. Sometimes a good book just makes itself known, by being in the right place at the right time, or by strange coincidence, or by just being really famous. Sometimes I don't know what to read next, but a good book always turns up, by the mystical forces of whatever. What doesn't work, is going to look for one. Especially on a computer. I don't think computers have any idea what a book is, even though they help to make them. To a computer, a book is just a collection of words that someone has typed, bits of data that become an object you can buy. Sites like Amazon don't give recommendations based on the real content of a book, they just know that somebody who bought this also bought that, and so you should buy it too. It's logical, but not very useful. Only a person knows what a good book is.

I made an account on Goodreads*. It's a website that recommends books. That's the whole point of it. You tell it all the books you've ever read and it shows you other things. I think, though, it might be a bit useless. My first mistake was saying I really like a Haruki Murakami book. It's response seemed to be, 'here are some more writers from Japan'. Never mind. And it's divided everything into genre, like fantasy, sci-fi, and 'mystery', because if there's one thing your book collection is missing, it's discipline. I've never thought, 'yes, I would like to read some science fiction now, I will go and look for some science fiction'. I just want something I'll enjoy. I don't know what genre things are half the time. Goodreads says that one of my favourites, The Road, is science fiction, despite that not being true at all.

The biggest problem with all this, though, is that it will never recommend something completely different to me. Something I never would have thought of. Only a friend can say 'this is brilliant, you should read it'. And that's the only recommendation I'm going to trust. Stupid internet.

*Like all social media, it does a good job of making you feel inadequate in a really blunt way. The first thing it tells me is 'You have no friends yet'. Oh.

Tuesday, 26 March 2013

No, but really, Google are actually making these glasses?

A while ago I wrote a post about Google's glasses, and their awful, awful video. And, to be honest, I thought they were joking. But it turns out they're making these things. They're glasses that do everything you'd expect a smartphone to do, except that it's on your face. The thing is, this is obviously a bad idea. Anyone can see that. Why would you actually want to wear one everyday, in your life? Who would want that? Apparently, some people do, according to their YouTube comments. "I've wanted something like this for years," says an actual person. At least you'll know who to avoid.

It looks silly, but real glasses probably looked the same at first. The problem is that you'll be talking to somebody with a contraption on their face, and they can take pictures, and record you, and analyse your voice patterns to send back to headquarters for processing. Every now and then they'll stop talking, go cross-eyed to check IMDB, and then look back at you, if you're still there. Then, distracted by the glowing icons in front of their eyes, they walk into a lake

It's obviously going too far. The main difference between this and a phone is that they don't want you to glance at it and then put it in your pocket, they want you to see through it all day. We're already constantly connected to the internet, so why do we need it on our face? It's adding technology to ourselves in a way that is far too invasive. Anyone wearing this would literally be seeing the world through the internet. It would become part of them. It's not so essential that we need to attach it to one of our senses. We don't need to look through a wall of icons and messages. That doesn't need to come first. What's even more sinister, is that this will be connected to Google's social network. Everything you see will go through them, turning people into Googlebots. They must realise this sounds fairly evil, but they're still doing it. It's like the start of an episode of Doctor Who.

I'm sure they mean well really, but outside of their imagination and a few silly people, who is going to want this?